Whoopi Goldberg defended Elliot Page's casting in "The Odyssey" during Tuesday's episode of The View, dismissing transphobic criticism that emerged ahead of the film's release. The sci-fi tentpole has crossed $300 million globally following a record opening weekend, vindicating the creative choice that sparked backlash from conservative commentators on social media.

Goldberg addressed the ongoing criticism directly, calling out trolls who continue attacking the film despite its commercial success. She offered a simple solution to detractors: avoid the movie entirely. The message carried particular weight given that "The Odyssey" has become a major box office winner, suggesting audiences rejected the manufactured controversy.

Page's inclusion in the ensemble cast drew predictable fire from culture war activists before release, part of a broader pattern of right-wing targeting of LGBTQ+ representation in mainstream entertainment. However, the film's performance demonstrates that audiences care more about story and spectacle than the identity politics weaponized by critics.

Goldberg's intervention reflects The View's consistent approach to defending marginalized talent against coordinated harassment campaigns. By platforming her response during primetime network television, she normalized the discussion while delegitimizing the opposition. The framing also pivoted away from defensive posturing. Rather than debating whether Page deserved the role, Goldberg simply suggested critics vote with their wallets by not purchasing tickets.

The broader industry context matters here. Studios face constant pressure from conservative media watchdogs who attempt to tank projects featuring LGBTQ+ talent or progressive themes. "The Odyssey" represents a rare instance where a major franchise entry with diverse casting choices succeeded spectacularly at the box office, potentially signaling that diversity concerns remain a manufactured grievance among a vocal minority rather than reflecting actual audience sentiment.

Goldberg's dismissive stance likely resonates with The View's audience